Ariel Center for
Policy Research

A JOURNAL OF POLITICS AND THE ARTS

 

NATIV   ■   Volume Fourteen   ■   Number 2 (79)  ■  March 2001   ■  Ariel Center for Policy Research

 

SYNOPSIS

 


Daniel Barenboim: The Failure of Sycophancy

Aharon Dolev

“A court-Jew through whom Germany buries it guilt via esthetics”, wrote a music-critic about Daniel Barenboim upon his arrival in Israel at the head of a German Symphony Orchestra. Israeli pianist-conductor Barenboim had been living in Germany and raising his children among Germans in Berlin for many years. An ardent advocate of Richard Wagner, Mr. Barenboim’s servility towards Germany and its cultural institutions has been highly rewarded by grateful Germans over the last three decades.

Nevertheless, when he recently became a target of an anti-Semitic attack, evoking dark memories of old Berlin, Mr. Barenboim’s denial and defense of his anti-Semitic German associates earned him the nickname “Galut-Jew” in an Israeli daily.

Also known for his manipulative use of the podium as a political platform, Mr. Barenboim has been serving for many years as an invaluable mouthpiece of the PLO and as an active sympathizer of the Palestinian cause.

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